Director: Johannes Roberts Starring: Mandy Moore, Claire Holt, Matthew Modine Synopsis: Two sisters vacationing in Mexico are trapped in a shark cage at the bottom of the ocean. With less than an hour of oxygen left and great white sharks circling nearby, they must fight to survive (IMDb). Rating: PG-13 Year: 2017
It seems every year or so we get a shark-based survival thriller. Last year Blake Lively was stranded just off shore by a Great White in The Shallows. This year Mandy Moore and Claire Holt are stranded at the bottom of the ocean. 47 Meters Down to be precise. Though despite the titular depth, this film’s script feels rather shallow.
Moore and Holt play sisters vacationing in Mexico after Moore’s boyfriend apparently left her for being “boring.” It’s here that younger sister Holt gets the bright idea that the two should go cage diving with total strangers whom they met the night before at a party as a way to make Stuart (that’s Moore’s ex-boyfriend) jealous. Take that, Stuart!
It’s become a rule at this point: B-list thrillers must feature stupid people making stupid decisions. 47 Meters Down happily obliges. Actually, it’s borderline offensive how idiotic these ladies are. Neither of them point out how dangerous the whole situation is, even after something like, oh I don’t know, blatantly acknowledging the poor condition of the diving cage as well as the illegal chumming of the water that the men of the “Sea Esta” engage in.
When Moore does eventually begin to have second thoughts, Holt snaps her back to party girl mode simply by reminding her how totally jealous Stuart will be once he sees the pictures of them underwater with real sharks. That’s how shallow and cliché the catalyst that sets this plot into motion is. Ugh.
As for the two handsome strangers who entice the ladies out to sea, they are not given names up to this point. They are only referred to as “the guys” by one of the sisters as a part of a throwaway comment. Even the captain of the ship (Matthew Modine) is introduced as “Captain.” Not Captain Taylor or Taylor, just “Captain.”
We learn so little about this trio of men during the course of the film that I was under the assumption that the filmmakers were intentionally withholding information for the purpose of revealing some shady intentions during an obligatory third act twist. Nope. The script simply did not call for any background development.
The problem with not maturing your characters, especially in a thriller like this, is that your audience will be emotionally detached once the true horror starts biting down. Unfortunately, this was my experience with 47 Meters Down. There was so little to these characters that I felt isolated from and uninterested in what was happening to them.
In the end, that’s the true horror of 47 Meters Down. The script is so light on development that the venture feels like a waste of time in a world of films like The Shallows. Even sitting at the bottom of the ocean whilst consumed by darkness and running dangerously low on oxygen, Moore and Holt still find time to discuss Stuart. It’s script details (or lack there of) like that which had me rooting for the sharks.
What did you all think of 47 Meters Down? Are you looking forward to seeing it during your Fourth of July break? Let us know in the comments down below!